![]() ![]() For HDR you can set the Peak White Point: 1000, 2000 or 4000 nits. Again, this is only a starting point to start your grade and we recommend to do all the necessary adjustments before the LUT node such as tint, WB and contrast. If you are familiar with our old LUT Generator: ALEXA Classic 709 is the well-known K1S1 LUT. Also, keep in mind that ND filters might cause some shifting in the tint. If you usually overexpose your footage, feel free to do so, but apply the LUT on a second node and adjust your exposure on a first node (in this way you will work on the log). If you shoot SLog3 that’s totally fine, but you might need to add a little bit of extra contrast. NOTE: Our Sony LUTs also work perfectly with the A7S III and the A7IV. Use in any color grading app like DaVinci Resolve, Final Cut Pro, Adobe Premiere, and more BUT If you want to take your S-Log 3 Color Grades to the NEXT LEVEL, check out our Color Grading S-Log 3 Course. These free LUTs by Bounce Color will convert your milky log footage into a rec.709 color space. Below, you’ll find our free color transform LUT for Sony S-Log 3 footage. cube files, such as DaVinci Resolve, Premiere Pro and Final Cut X.Ĭheck out this tutorial to see how to use the BUTTERY LUTs! Free Log to REC.709 Conversion LUTs for Canon, Sony, DJI, and more. Yep, just one LUT! Our LUTs are compatible with any software that support. ![]() Our LUTs work in every single lighting situation, at any ISO. It is considered as standard and this is why there are Rec709 LUTs, to be able to get that color space on Log. Perfect for color grading and monitoring. Unlike Log footage that’s somehow colorless, Rec709 is close to the linear color space. Our Natural Rec 709 LUT for these popular Sony cameras gives you better colors, smoother highlights roll-off, more natural skin tones and overall a better dynamic range when compared to manufacturer one. In your editing or color grading software just apply the LUT to your footage and do the basic adjustments such as exposure, contrast, WB or tint as you like. Rec709 is a color space that produces images that are very normal and realistic, with a good amount of contrast and saturation. Timmy Lodhi 5.24K subscribers Subscribe Share 112K views 2 years ago In todays video, Ill be talking about how to setup your Sony camera for shooting in SLOG-2 and how I approach my. The workflow is extremely simple: first of all, you need to shoot LOG and LOG only. ![]()
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